Traduçáo: Normal 0 21 false false false MicrosoftInternetExplorer4 Retirado de Carlos E. Caorsi (Ed.). Ensayos sobre Strawson . Universidad de la República/Faculdad de Humanidades y Ciencias de la Educación, Montevidéo,1992, p. 55-71.

Examining the images of war displayed on front pages of the New York Times, David Shields makes the case that they ultimately glamorize military conflict. He anchors his case with an excerpt on the delight of the sublime from Edmund Burke’s aesthetic theory in A Philosophical Enquiry. By contrast, this essay considers violence and warfare using not the Burkean sublime, but instead the beautiful in Burke’s aesthetics, and argues that forming identities on the beautiful in the Burkean sense can ultimately (...) shut down dialogue and feed the lust for violence and revenge. (shrink)

Investigates the resolution of contradictions and ambiguous derogations in a code, by means of the imposition of partial orderings. Although formulated as a study in the logic of norms, it provided the initial ideas for work on the logic of theory (or belief) change, developed by the authors in a series of papers by the authors and Peter Gardenfors beginning in 1985.

According to Didier Eribon, melancholy is where it all starts and where it also ends: the lifelong process of mourning that each homosexual experiences, and through which they construct their own identity. In this beguiling book, an introverted, anxious, ambitious, artistically gifted queer Filipino-Canadian boy finds solace, inspiration, and a "syllabus for living" in art--works of literature and music, from the children's literary classic Anne of Green Gables to the music of Maria Callas. But their contribution to his intellectual, emotional, (...) and spiritual edification belies the fact that they were largely heteronormative and white, which had the effect of invisibilizing him as a queer person of colour. Part memoir, part cultural commentary, and a hybrid of besotted aesthetic appreciation and unsparing critique, Double Melancholy is by turns a passionate love letter to art and an embattled examination of its oppressive complicity with the society that produces it, and the depths to which art both enriches and colonizes us. (shrink)

Contents Include: The Contemporary Situation - CRITICAL: The Doubtful Reality of the So-Called Real World. The World of Common Sense. How Far is it Real? - The World Of science. Its Method and Results - That Science Tells us Little About Some Things, and That There are no Things About Which it Tells us Everything - That Science Can Give no Satisfactory Account of Mind - That Science Can Give no Satisfactory Account of Values - CONSTRUCTIVE: The Reality of the (...) World of Value and Some Consequence. The Subjectivist Assertion that Values are Figments - That values are on the Contrary Real and Objective - That Values are Ultimate and Constitute the Rightful Objects of Human Desire - Some Account of the Evolution of Man's Knowledge of Value - Practical Conclusions in Ethics, Hedonism and its Refutation - Some Rules for the Right Conduct of Life - Practical Conclusions in Politics, State Absolutism, its Refutation and some Consequences - What makes a State Great? (shrink)